(Originally published in the November 2006 issue of UFO Magazine)
By Larry W. Bryant
When the UFO mystery finally gets solved, imagine how valuable will be
the several privately owned, comprehensive collections of UFO
literature that dot the East Coast. In my own case, my scores of
books, pamphlets, magazines, reports, government documents, and
newspaper clippings are augmented by what I regard as the world's
largest collection of UFO-related cartoons.
I use that superlative because of my having merged my own 45-year-old
[now 47 as of July 2008] collection with photocopies of the collection
once maintained at the Washington, D. C., headquarters of the
now-defunct National Investigations Committee on Aerial Phenomena
(NICAP). Now, what we're talking about here are three 2-inch-thick
three-ring binders full of cartoons and comic strips, each cartoon
mounted on a single sheet of white paper and documented when possible
with date and place of publication. Then, of course, the collection
is rounded out by a classic 1968 paperback anthology called "UFO -- Ho
Ho! Cartoons for Flying Saucer Lovers" (Popular Library, 1968) by
Joseph Farris, which contains about a hundred cartoons ranging from
UFO hardware to depictions of exobiology.
My collection is driven by a sense that, besides its comic relief in
what can be a somber subject, the UFO-related cartoon serves as a
barometer of public concern or public indifference, depending on the
cartoonist's message and on your interpretation. That public-issue
aspect ranges over such elements of the UFO controversy as alien
hardware or the flying-saucer-type craft and their effects on
earth-bound percipients; exobiology or the premise that some UFOs are
somebody else's spaceships piloted by the now-cliche representation of
wiry little green men; cosmic xenophobia or fear of the presence of
unknown, superior entities behind the alleged UFO visitations; the
science-fiction themes of invasion from outer space and monsterism, as
well as the anthropocentric rendition of human values and motivations
ascribed to the invaders; and government cover-up and foul-up of the
UFO experience.
One of the earliest items in my collection represents a subgenre that
I call reverse-imaging -- the act of depicting Martians perplexed over
the notion that THEY are not alone in the universe. This particular
cartoon comes from one of the syndicated series, titled "Grin and Bear
It," and it shows a deelybopper-clad member of the "Mars National
Observatory" lecturing three of his colleagues as he points to a photo
of Planet Earth: "It's possible there may be life on Earth! . . .
Those mysterious lines don't look like canals to me! . . . They look
like freeways!" This reversal or O'Henry-type of message appears in
another undocumented cartoon gleaned from the NICAP files: two
earth-grown astronauts, having just embarked from their rocketship
upon an alien world, have encountered in the desolate landscape a lone
being who in the cartoonist's language of French is explaining, "Je
suis moi-meme un etranger." ("I am a stranger also.")
Then we have, from another syndicated cartoonist, "The Strange World
of Mr. Mum," which shows an antenna-topped, multilimbed creature
perusing an alien newspaper as he lingers next to an Earth-based
vending stand labeled "Out-of-Town Papers." Two different cartoons,
one from Canada's Winnipeg Tribune, show an alien, his spaceship
landed on the earth's surface, inside a telephone booth asking the
operator for long distance.
Famous Chicago Sun-Times syndicate Bill Mauldin penned on August 15,
1965, an earth-orbiting saucer with its two occupants peering down
with the comment, "A planet three-quarters covered with water couldn't
possibly support life."
And perhaps the ultimate twist occurred on June 1, 1963, when Saturday
Review magazine showed two needle-nosed, needle-craniumed critters
peering out from the gondola of their hot-air balloon, one of them
opining, "I'll bet we're thousands of years ahead of any other
civilization."
Even the field of UFO abductions fails to escape the light hand of the
cartoon master, as witness a full-page, four-frame item from the May
1964 issue of Playboy magazine: an earthling is seen strolling past a
newly painted lamp post in the park next to a large clump of trees. A
Wet Paint sign entices the man to touch the post, whereupon, to the
glee of a gigantic, multiarmed alien peering from behind the trees,
the man finds his hands stuck to the post.
As the poor fellow struggles to free himself, the alien proceeds to
grab him and place him into a large Mason-type collection jar with
breathing holes punched in the lid. In the process, one of the
alien's arms bears a paint brush, which is used to cover up the
smeared paint. The final frame shows a little old lady eying the sign
as the walks her dog into the area, the alien's space-helmet antenna
barely visible behind the tree clump.
Along the same vein, on June 24, 1964, the syndicated cartoon
character Ziggy is shown inspecting a trap consisting of a box propped
up by a forked stick from which leads a string into the inside of a
landed saucer. The bait beneath the box reflects the earthman's
supposedly irresistible delicacy: a hamburger with a bag of
french-fries and a soda pop.
That scene recalls one of my earliest specimens clipped from The New
Yorker magazine back on May 28, 1955. In the clearing of an earth
valley, a saucer hovers above a family of aliens disembarked for the
purpose of setting up a picnic. As the little visitors go about their
chores, complete with a blanket spread on the ground with an opened
picnic basket, a group of armed U. S. soldiers concealed by bushes in
the foreground looks on in expectation of a confrontation. One of the
soldiers announces: "This isn't going to be as tough as we figured."
One of the most frequent sources of UFO-related cartoons was the old
Saturday Evening Post. During the Air Force's UFO public-relations
debacle in 1966 when such glib official explanations for UFO reality
as swamp gas met with derision from the news media, the Post offered
two perspectives. The first shows a group of 1930-vintage aborigines
frantically pointing skyward at a circling biplane.
At the center of the group, an unimpressed witch doctor, his arms
folded haughtily across his chest, sneers, "Swamp gas." The other
cartoon shows an American astronaut sitting on a moon rock, his
spaceship in the background and the earth shining brightly in the
distance. He's asking a squat little alien who has come up to him for
a chat: "Come on, level with me. Have you people been buzzing our
swamps?"
Of course, America has no corner on UFO humor. Even the former Soviet
Union's Sputnik magazine occasionally joins the game. The August 1967
issue, for example, has a four-frame item starting off with a
fisherman dozing in his rowboat on a lake. The next frame shows a
flying saucer plunging into the water next to the rowboat, rudely
awakening the fisherman, who, in frame number three, proceeds to
return to his half-sleep state. The fourth frame shows the fisherman
startled once again -- this time because his fishing rod has snared an
alien from the sunken saucer.
Lately, I've noticed a new subgenre of UFO-related cartoons, those
that help advertise a product or service. For example, in 1978 two
nighttime campers are preparing to turn in to their tent. One of them
is pouring a cup of coffee outside, looking away from the tent, over
which hovers a huge saucer with a series of mechanical tweezers
snatching up earthly artifacts from the countryside. As the camper in
the tent peers up in horror at the impending abduction, the
coffee-pourer is responding: "My insurance company? New England
Life, of course. Why?"
A New York Times ad in 1985 shows a middle-aged suburbanite in his
backyard being addressed by an eager little alien debarked from a
landed saucer: "We've come to learn more about your Enviro-Spray."
Then there's a 1986 Sony Corporation ad showing in one frame a woman
on a golf green being videotaped by her husband as she lets go with
her putt, while, in the left-side frame, a father-son-family-dog trio
is having fun as the father aims his video camera at a hovering saucer
with occupant smiling for the camera.
Once in a while, a UFO cartoon falls flat, either because the drawing
fails to measure up to the reader's expectations or because the
message gets lost in delivery. Such is the case with the winning
entry in the U. S. Defense Intelligence Agency's January 1984
"Security Poster of the Month" contest. It shows a four-drawer
records safe with its bottom drawer partially opened. That drawer is
experiencing a collision from a single-occupant flying saucer. The
textual message declares, "Security is no accident . . . it has to be
practiced!" Maybe they should hold a contest on how best to interpret
the UFO graphics of this poster.
Not too long ago, one of my e-mail correspondents, upon learning of
the manuscript of this essay, sent me the following query: "About 15
years ago I clipped a cartoon from a daily newspaper -- forget which,
forget when -- which I promptly lost in my mountain of [mess].
"I've always regretted it, because it was so 'right on.'
"It was a teacher at a blackboard explaining the difference between
evolution and creation. He's pointing to the corner of the blackboard
with his teacher's stick to a goofy UFO drawn in chalk, saying: 'And
this is MY theory!'
"Do you know anyone who collects UFO cartoons who might have that one on file?"
Unfortunately, if the above-sought item does repose somewhere in my
files, I'm going to have the same problem as my correspondent's, since
I reside in the World's Largest Filing Cabinet.
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Larry W. Bryant directs the Washington, D. C., office of the
public-interest group Citizens Against UFO Secrecy. His book "UFO
Politics at the White House: Citizens Rally 'round Jimmy Carter's
Promise" is available from Galde Press, Inc. (
http://www.galdepress.com ). He welcomes communication from the
public at his e-mail address:
overtci@cavtel.net .
_________________________________
[LWB Update for July 26, 2008: Having recently commissioned artist
Harry Finley (
http://www.finleyart.com ) to produce three UFOtoons
based on my own ideas for them, I'm attaching them here, as per my
license from him (the copyright owner), for your entertainment and
inspiration. Please let me know if you'd like to see more of the same
some time in the future.]